In this age of irony, what’s a show like “Rent,” with all of its unabashed earnestness, to do? Four Tony Awards, a Pulitzer Prize and 12 years on Broadway later, the show now exists in a world that’s rather removed from the unmistakable ’90s setting of the rock opera.
Today, the themes of the show are riper for parody than for the heartfelt reflection of a song like “Seasons of Love.” Instead, we have “Everyone has AIDS!” from “Team America: World Police” or “Avenue Q,” which is effectively “Rent” restaged with vulgar puppets. Irony is a cultural commodity, and “Rent” rarely pauses to stop taking itself seriously.
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